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ABOUT ME

Antonie Josefa Latscha

Vita

Member SGBK

(Swiss Society of Visual Artists)

 

Born in 1960 in the Czech Republic, Jablonec nad Nisou

Emigrated to Switzerland in 1980
1982 – 1988 Training in mechanical engineering, design engineer and later pharmaceutical engineer

1985 Sabbatical trip to the USA

Married in 1986

resident of Rheinfelden since 1991

2009 first exhibition

2010 Owner of Atelier Rheinfelden – Space for Painting

2012 Main occupation as a freelance visual artist

2016 - 2022 Member of Frontofbicycle Art Agency, Basel

2018 - 2021 Curator of the benefit exhibition «Untitled – Art Exhibits», Rheinfelden

Artistic training:

Basic painting training from 2005 to 2008 with Daniel Danihelka
Further training:

2010 Assensa School in Münchenstein with Charles Blockey

2012 with Alexander Jeanmaire

2016 with Bogdan Pascu (Free Art Academy Augsburg)

2017 with Roland Satlow (European Art Academy Trier)

2019 at Gerhard Almbauer (Fabrik am See, Horn)

2022, 2023, 2024, 2025 at Bernard Lokai (Fabrik am See, Horn)

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about my art

NEW : Articles about my art:

https://showcasemyart.com/antonie-josefa-latscha-painting-between-memory-nature-and-freedom/

 

Since my childhood, art and painting have played a very important role for me, and despite the external restrictions imposed by communism, my passion for painting has never been lost.

 

My creative approach, which emphasizes feeling and chance, allows plenty of room for expression and freedom, resulting in a powerful and honest way of creating art.

 

The combination of landscape and abstraction that I strive for shows how strongly I am inspired by nature, but at the same time I remain open to the unknown and unpredictable.

 

The process of layering and revising in my work results in works that possess depth and complexity.

I am not only creating art, but also a kind of dialogue.

The interaction allows viewing my works to become a very personal experience.

 

This openness and the space for individual reflection are something that many people appreciate in today's often over-engineered world of art.

 

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